Wednesday, January 2, 2013
Father's Day (2011) is one of my favorites of the films I saw in 2012, and one of my favorite films period. I had the pleasure of seeing it on the big screen at my local Alamo Drafthouse, and later again at Texas Frightmare Weekend last May. Created by the collective known as Astron-6 (Sweeney, Kennedy, Brooks, Jeremy Gillespie, and Steven Kostanski), Father's Day is a wild horror/comedy/exploitation fiim, as well as a love-letter to the genres that spawned it. It's also a tribute to the Age of VHS, as the film is presented to look like you're watching a tape recorded from some TV station, presumably made in the 80s.
The horror-comedy is a hybrid that doesn't always work, but Astron-6 fairly owns it. The film goes from laughs to genuinely creepy moments, never stumbling inbetween, with scenes like Ahab and Twink escaping police notice in disgiuses (drag, complete with rhinestone eyepatch), to Fuchman terrorizing Chelsea in a scene that could have been lifted from a 'normal' horror picture. Another factor that really works in their favor is the attention to detail. In this day and age, there are tons of films that feature exploitive subject matter, throw in some fake film grain and scratches and say, "Look at me! I'm all Grindhouse and shit!" Astron-6 did their homework, though, and gave us a film with colors and lighting straight out of the 80s Argento handbook, a soundtrack that screams 80s (especially the main theme, which sounds like it was lifted from an Italian horror flick back in the day), and touches like the blind priest Father O'Flynn ( Kevin Anderson), whose eyes have that milk-white look from Fulci's The Beyond . It's details like this that really make the difference between a great homage and half-assing it. To the casual viewer it may not make any difference, but to an Old-School Beast such as myself, it's very cool to see.